Archive for the 'reflections' Category

Mumbai screening / June 2nd 2013 / 10 am

Jashn-e-Azadi will screen in Mumbai on June 2nd, 2013 (Sunday) at 10 am as part of the FD Zone screenings, where film-makers Ajay Raina & Pankaj Rishi Kumar have curated Kashmir – Before Our Eyes, with documentaries, features, shorts, readings and discussions on Kashmir.
May 31, Jun 1, Jun 2 2013 / Venue: RR Theatre, 10th floor, Films Division, 24, Pedder Road, Mumbai – 400026
The screenings /discussions are free and open to all. The full programme is available at https://www.facebook.com/events/470268336381379/

MAY 31, 2013 – Friday (4.00 PM to 6.00 PM)
ROOTS OF THE CONFLICT: The nationalist discourse
STORM OVER KASHMIR
1948/ Non-Fiction/English/45 Min/B. D. Garga /Films Division.
A DIARY OF AGGRESSION
1966/Non-Fiction/English/23 Min./ NVK Murthy/Films Division
Discussion about India Pakistan wars, discussants TBA

MAY 31, 2013 – Friday (6.30 PM to 8.00 PM)
CURTAIN RAISER
Special India Preview
VALLEY OF SAINTS
2012 / Fiction/English/82 Min/Musa Sayeed /USA

JUNE 1, 2013 – Saturday (10 AM to 1.00 PM)
PARADISE: Kashmir then and now
BEFORE MY EYES
1988 / Non-Fiction/English/24 Min/Mani Kaul /India
LOLAAB – A valley in the Himalayas
1990/ Non-Fiction/English/57 Min/Mohiuddin Mirza/India
PARADISE ON A RIVER OF HELL
2003/ Non-Fiction/English/30 Min/Abir Bashir Bazaz – Meenu Gaur /PSBT/India

JUNE 1, 2013 – Saturday (2.00 PM to 4.00 PM)
EXILE/ DISAPPEARANCE/DISLOCATION:
THE LAST DAY
2013/Fiction/Kashmiri-Hindi/12 Min./ Siddhartha Gigoo /India
TELL THEM, THE TREE THEY HAD PLANTED HAS NOW GROWN
2001/Non-Fiction/Kashmiri-English/58 Min./ Ajay Raina /PSBT /India

JUNE 1, 2013 – Saturday (4.15 PM to 6.15 PM)
WHERE HAVE YOU HIDDEN MY CRESCENT MOON
2009/Non-Fiction/Kashmiri- English/28 Min./ Iffat Fatima/ India
AUTUMN’S FINAL COUNTRY
2005/Non-Fiction/Kashmiri- English/66 Min./ Sonia Jabbar / India

JUNE 1, 2013 – Saturday (6.30 PM to 8.30 PM)
BUB (The Father)
2009/Fiction/Kashmiri/120 Min./ Jyoti Sarup / NFDC/ India

JUNE 2, 2013 – Sunday (10.30 AM to 1.30 PM)
AZADI:
JASHN-E-AZADI
2007/Non-Fiction/Kashmiri-Urdu-English/139 Min./Sanjay Kak/India

JUNE 2, 2013 – Sunday (2.30 PM to 3.45 PM)
MARGINALISATIONS:
PATHER CHU JAERI (The Play is on)
2001/Non-Fiction/Kashmiri-Urdu-Hindi/44 Min./ Pankaj Rishi Kumar /PSBT/India

JUNE 2, 2013 – Sunday (3.45 PM to 5.45 PM)
APOUR TI YAPOUR. NA JANG NA AMAN. YEI CHU TALUKPETH
(Between Border and the fence. On the edge of the map)
2011/Non-Fiction/Kashmiri-Urdu-English/78 Min./ Ajay Raina /PSBT/India

JUNE 2, 2013 – Sunday (6.00 PM to 8.00 PM)
THE LONG AUTUMN AFTER WINTER:
HARUD
2012/Fiction/Urdu/99 Min./ Aamir Bashir /India

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Chicago screening on May 7, 2013

In conjunction with the special exhibition The Sahmat Collective: Art and Activism in India since 1989 the Smart Museum of Art, Doc Films, and the Committee on Southern Asian Studies at the University of Chicago will present two documentary films “that blend the personal and political to address critical issues in contemporary India: Sanjay Kak’s controversial Jashn-e-Azadi (May 7) and Anand Patwardhan’s epic Jai Bhim Comrade (May 14)”.

The screening of Jashn will be introduced by program curator Ashish Rajadhyaksha, Senior Fellow at the Centre for the Study of Culture & Society, Bangalore and co-author of the Encyclopedia of Indian Cinema. A reception with the program curator will follow the screening.

For more do check on the Smart Museum’s event page

Cornell Screening on April 10, 2013

The South Asia Council at Cornell University will be screening Jashn-e-Azadi on April 10th, 2013 following which Sanjay Kak will be on a skype link to discuss the film with the audience.
For more on the event you can look at their page as well as on facebook

Jashn-e-Azadi in China!

Last week screenings of Jashn-e-Azadi took place in Beijing and Shanghai. This was part of the West Heavens initiative, developed, as its website tells us, ‘to foster closer understanding of India through contemporary art and scholarship, and develop cross-cultural dialogue based on visual culture and notions of Asian modernity’.

It’s probably appropriate that a contentious film on Kashmir should be part of a section called “You Don’t Belong”! (To be fair, the full title of the event goes on to say: Pasts and Futures of Indian Cinema & India-China Dialogue on Film and Social Thought.) Curated by the film-scholar Ashish Rajadhyaksha, the film event saw more than 30 films screened across 4 cities – Beijing, Shanghai, Guanzhou, Kunming – and at multiple venues in each city. Most remarkably, all the films had Chinese subtitles allowing the audiences a remarkable level of access.

In Beijing Jashn-e-Azadi was shown at the Beijing Film Academy, which hosted the section on The Documentary: Testimony, Home, City. The BFA, like everything that we encountered in this brief week in China, is huge, has massive infrastructure, and although modelled rather closely on the film school in Moscow (more properly known by the acronym VGIK), seems very much to be riding the boom that China is currently experiencing. First world facilities, and more than 3000 students. What was surprising for the documentary screenings was the turnout: students, faculty, and members of a film club that the BFA hosts, all showed up from the first day, and the vast auditorium (it was the “medium” one we were told) was always comfortingly full. The Jashn-e-Azadi screening was followed by what was billed as “Filmmakers’ Round Table 1: Documentary Images and the Language of Rights”, hosted by Zhang Xianmin, who is a professor at the BFA, teaching Screenwriting and documentary, and highly respected for his work in promoting the independent Chinese film. The other panelist was the very successful documentary film-maker Zhao Liang. (For more on him, you could read about his much applauded five and a half hour film Petition, or turn to this interesting profile in the New York Times).

In Shanghai Jashn-e-Azadi was screened at the Shanghai Film and TV Literature Library, a remarkable public institution where people are already queing up at 10am to enter, read periodicals and books, watch films… In a city made almost grotesque by its spectacular success with capitalism, its these last vestiges of a former socialist experiment that made one a little less despondent. The audience here was mixed too, some students, but a lot of what we would call ‘ordinary’ people. The post-screening discussion was hosted by the theatre director Zhang Xian, one of the earliest independent Chinese playwrights in the Post-Mao Era. (In the discussion he identified himself as an anarchist…)

While the audience at both back venues had negligible background on Kashmir, they responded with a remarkable openness, alert not just to the particular historical event they were witnessing, but also to the aesthetic form through which the film was trying to address it. One of the most remarkable conversations I have had about Jashn-e-Azadi was with a journalist from the Chinese language newspaper Oriental Morning Post in Shanghai. The paper has done almost a full page feature on the film, and although I would definitely NOT suggest Google Translate as a way of approaching the text, the incredibly nuanced questions put by Shen Yi made me feel that this piece of writing would really open out the film to a Chinese reader.

Finally, I cannot resist putting this picture in: forgive the vanity.

‘Cinema of Resistance’: Katiyan, Uttar Pradesh

This week Jashn-e-Azadi was the closing film at the 2nd Nainital Film Festival, part of the ‘Pratirodh ka Cinema‘ (Cinema of Resistance) circuit of film festivals that have been so patiently (and brilliantly) put together by film-activists of Jan Sanskriti Manch. Fast growing into a legend on the alternative cinema circuit, the Gorakhpur Film Festival (already headed for its 6th edition) has spawned a series of clones all over Uttar Pradesh and Bihar. Marked by a sharp curatorial sense, and a remarkable insistence on remaining unfunded (despite many offers of funding and sponshorship) the Cinema of Resistance festivals – and the many one-off screenings and workshops that they have encouraged –  are a truly unique initiative in the democratisation of screening culture in India. (And perhaps in the world)

Jashn-e-Azadi has been shown–and allow us this little list–at the following ‘Pratirodh ka Cinema‘ events:

  • 3rd Gorakhpur Film Festival , Feb 26, 2008
  • 1st Bareilly Film Festival , Jun 8, 2008
  • 1st Patna Film Festival, Dec 27, 2009
  • 3rd Lucknow Film Festival, Oct 10, 2010
  • 1st Jabalpur Saarthak Cinema Karyashala (Meaningful Cinema Workshop) jointly organized with Pahal parivaar, Sept 4, 2010
  • 2nd Nainital Film Festival, Oct 31, 2010
    (for those who can read devanagari, a brief report on the screening from the DewalthalPost)

Quietly upstaging all these remarkable screenings though, is one that we were not witness to. I’ve received a heart-warming report about it though, from Baijnathji, who mans the sales desk at all the ‘Pratirodh ka Cinema‘ events. Here is his account, in a quick translation:

27 April. Since 1995, every year 27 April refreshes the memories of a special day for my family, because that is the day our father died an untimely death. My father was simple by temperament, but in his personality there was a commitment to struggle. From the ordinary position as a laborer, he spent his life fighting against exploitation, injustice, and atrocities, and was always seen on the side of the oppressed.

After his death, a tradition has come about of organizing something in his memory on 27 April every year. Sometimes its a story reading, sometimes a discussion on the problems of farmers. But this year our doorway saw something quite different. We remembered him as we do every year, but in a different way. In the evening about 40-50 children, some young people and some old men and women were sitting there. On a table was a television. The children were thinking that a Bollywood film will start. The older people were hopeful that it would be the Ramayana or the Mahabharata. But when my brother set up the system, and ran it, what  they began to see was Majid Majidi’s Iranian film “The Children of Heaven”. In just a little while the whispering amongst the crowd turned into silence. When it ended, there was a demand to run the same film again. But the fear of a power cut made it necessary for us to begin the second film.

Sanjay Kak’s “Jashn-e-Azadi” began. As the film went on, the silence began to break. Watching the scenes from the film people began to whisper amongst each other. After the film it was tea time. But the electricity turned it all dark. But despite this people sat on the matting outside at our doorstep till late at night talking about this film about Kashmir.

In this large village situated on the borders of Bihar, the little doorstep of our house saw a few educated young people, some children, lawyers and teachers engrossed in arguments and counter-arguments of the reality of Kashmir, and the women were even abusing the army. People were saying that such films should be shown all over the place.

Baijnath Mishra
son of late Virendra (“Vaikunth”) Mishra
Village Katiyan, Post Office Katkuiyan
Dist Kushinagar, Uttar Pradesh

For those who can read Devanagari, here is the original report too: Enjoy!

२७ अप्रैल – प्रत्येक वर्ष १९९५ की २७ अप्रैल की यादें ताज़ा कर जाता है . यह दिन मेरे परिवार के लिए एक खास दिन होता है. क्योंकि इसी दिन हमारे पिताजी की असमय मृत्यु हो गयी थी . मेरे पिताजी का स्वभाव सरल एवं व्यक्तित्व संघर्षशील था . अपनी छोटी सी औकात में श्रमिक जीवन व्यतीत करते हुए, शोषण, अन्याय, व अत्याचार के खिलाफ हमेशा पीड़ितों के पक्ष में खड़े दिखाई देते थे .

उनके निधन के बाद प्रत्येक वर्ष २७ अप्रैल को उनकी याद में मेरे घर कुछ न कुछ आयोजन करने की परंपरा विकसित हो चुकी है . कभी कहानी पाठ, कभी कृषक समस्याओं पर विचार विमर्श हुआ करता था . लेकिन इस वर्ष मेरे दरवाज़े पर कुछ अलग ही दृश्य दिखाई दिया . प्रत्येक वर्ष की भांति इस वर्ष भी उन्हें याद किया गया लेकिन तरीका बदला हुआ था . शाम को कुछ ४०-५० बच्चे, कुछ युवक  व कुछ वृद्ध पुरुष और  महिलाएं बैठे हुए थे . सामने एक मेज़ पर टेलीविजन  रखा हुआ था . बच्चे यह सोच रहे थे कि कोई बॉलीवुड कि फिल्म चलेगी . वहीँ   उम्रदराज़ लोग रामायण या महाभारत देखने कि आस लगाये हुए थे . लेकिन मेरे भाई ने टेलीविजन का सिस्टम ठीक करके उसे चलाया तो माजिद मजीदी की  ईरानी फिल्म “द  चिल्ड्रेन ऑफ़ हेवन” का नज़ारा दिखाई देने लगा . कुछ ही समय बाद आपस की फुसफुसाहट मौन रूप में बदल गई . फिल्म के समाप्त होने पर उसी फिल्म को दोबारा चलाने की मांग उठाने लगे . लेकिन बिजली काट जाने की आशंका को देखते हुए दूसरी फिल्म दिखाया जाना आवश्यक था .

संजय काक द्वारा निर्देशित डॉकुमेंटरी “जश्न-ए-आज़ादी” आरम्भ हुई . और फिल्म ज्यूँ- ज्यूँ आगे बढती गयी लोगों की ख़ामोशी भी टूटती गयी . फिल्म के दृश्यों को देखकर लोग आपस में एक दूसरे से काना फूसी करना आरंभ कर दिए . फिल्म के समाप्त होने के पश्चात चाय का दौर प्रारंभ हुआ . लेकिन बिजली नें अँधेरा कर दिया. बावजूद इसके लोग देर रात तक मेरे दरवाज़े पर चटाई पर बैठे-बैठे देर रात तक कश्मीर  पर बनाई इस फिल्म के बारे में चर्चा करते रहे .

बिहार सीमा पर स्थित मेरे बड़े से गाँव के मेरे छोटे से दरवाज़े पर कुछ किसान, कुछ पढ़े-लिखे युवक, बच्चे, वकील और अध्यापक जमकर कश्मीरी हकीकत पर आपस में तर्क वितर्क करते रहे और महिलाएं तो सेना को गलियां भी दे रही थी . ऐसी फिल्म को लोग कह रहे थे कि  जगह-जगह दिखाया जाना चाहिए.

बैजनाथ मिश्र
पुत्र स्व: वीरेन्द्र (उर्फ़ वैकुण्ठ) मिश्र
ग्राम: कटियाँ , पोस्ट: काटकुइयां
जिला: कुशीनगर  (उ.प्र)

 

blogflash: report on the San Jose screening

We’re happy to post a ‘report’ on the screening of Jashn-e-azadi on August 6, 2010, at the San Jose Peace and Justice Center, San Jose , CA. The event was sponsored by Culture & Conflict Forum and co-sponsored by San Jose Peace and Justice Center. The discussion was moderated by Yasmin Qureshi, whose account of her trip to Kashmir in August 2009, The fate of Kashmir, some of you may already have read on Counterpunch.

Yasmin has forwarded three email responses she received after the screening, and below that, the Q&A she conducted with the audience:

I.

Jashn-e-Azadi was released in 2007 and it has taken me until now to finally watch it, thanks to a screening organized by the Culture and Conflict Forum at the San Jose Peace Center on Friday, August 3rd, 2010. It’s difficult to remember the details, the names and the incidents from the documentary, but the extraordinary impression one leaves with, an impression that continue to haunt long after the screening, is the pervasiveness of the Indian military and paramilitary presence in Kashmir and the universal opposition to it. It’s one thing to have heard that there are 700,000 troops deployed there, one soldier for every 15 Kashmiris; it’s quite another to see them everywhere, in the city square, the streets and alleys, the countryside. It’s also one thing to have heard about the opposition to this military presence, and quite another to witness, through this documentary, the manifestation of this universal opposition from women, men and children of all ages, with huge turn outs at protests, funerals and marches, and even a street play. And, in striking contrast, was the observance of Indian Independence Day by the military forces under conditions of curfew with deserted streets.
Whatever be one’s position on the question of Kashmir, one thing is for clear from watching this documentary, that this situation cannot continue. Not for long. That inevitably raises the question where to from here. That indeed must have been what prompted some of the lively discussion that followed the screening, even though the question itself is not raised in the documentary, let alone addressed in it. To have raised this question is perhaps the most important service that this documentary has done.
It is easy to frame the question in religious terms, Kashmiri Muslims versus Kashmiri Hindus, facile terms made to appear justified on account of the tragic displacement of Pandits from the Valleys and the roles played by Pakistan and the Afghan mujahedeen in promoting violence. But to do so would also be to ignore that to most Kashmiris, it is a struggle for freedom and national self-determination, a struggle in the making for over 500 years that gave rise to Kashmiriyat, the unity of Kashmiris of all religions, a struggle in which religion has not been the divisive factor that it is portrayed to be in India.

II.

The first half of the film was like watching a thriller and left me spellbound! It moved so fast. There were 4 parallel tracks or stories – one of the old man searching for his son’s grave which was very touching, covering the militant resistance and what it did. Second the man surveying and documenting number of deaths. Third the arrogant attitude of Indians, as if they own and control Kashmir through the tourists and later through the pilgrims. Lastly the play which is very important as it explains the 100s of years of colonization and how Kashmiris were docile then but are now determined to fight for self determination. The history is important to understand why kashmiris want freedom.
The scene of the women walking in the mosque followed by prayers in the snow was very surreal. The first half was complete in itself and maybe the Q&A session should have been then instead of in the end. It would have given more time for discussion. The scenes were going back and forth which may have been confusing for someone who doesn’t know much about the history and sequence of events.

III.

The film is not a comprehensive analysis of the Kashmir situation.. And it is not a straightforward narrative; (often, there wasn’t much narrative.. and in that regard it reminded me of Amar Kanwar’s Night of Prophecy). there are no easy answers, or clear sides that one can easily take. The film touched a nerve in me on many levels. In parts I wasn’t sure what the director was getting at. For example he hints at the plight of the pandits, and the religious dimension of the resistance; but doesn’t make any further comment on it. One thing came through loud and clear, though – it showed what an occupation by the Indian army looks like (and it does not look pretty).
The shots of Srinagar during Indian independence day were especially telling. If you have to put the entire city under lockdown in order to “celebrate” your independence, you aren’t having much “independence”, are you? And this is why it is probably an important movie to watch.

IV.

I think that the film – or the half of it that I saw- did not have much focus. Not because of any fault of the director but because of the need to show the film to a larger audience in India, the director perhaps was constrained to come out and show what he truly belivies to be the issue at stake. This lack of focus, in my view, is a direct measure of the sorry state of affairs vis a vis Kashmir in India. There is a dire need to keep the focus on Kashmir issue in and out of India by people like the director of this film who care for the people of Kashmir.

V.

It showed very well the beautiful people and the beauty of the region but also the poverty and violence. But the film was very long and confusing — it kept switching back and forth between different incidents of violence, interviews with people.

Question and Answer session
(Questions were answered by Yasmin Qureshi, member of Culture and Conflict Forum. She had visited the Kashmir valley in August 2009.)

Q: What was the message of the film?

A: Well, the director Sanjay Kak leaves it to the audience really. His objective was to bring out the voices of the people of Kashmir since we rarely read about them in the media and open an avenue for discussion on the issues and aspirations of the Kashmiris. Back in 2007 the word azadi for Kashmir was shocking for Indians. As a Kashmiri Sanjay wanted to make a film about the people there and what they feel.

Q: It is true the media doesn’t cover the Kashmiri Muslims but it also doesn’t cover
the pundits either. How do you justify the killing and migration of 100,000 pandits?

A: I disagree the media doesn’t cover the pundits. In fact most articles published in India on Kashmir address this issue. What they don’t cover is what the army is doing there, the murders, missing people, rapes and what the people there want and why. Recently Shivam Vij had a detailed article on the pundits living in Delhi area in kafila.org.
Yes, what happened to the pundits is unjustifiable. And certainly Pakistan and the Afghan mujahedeen had a role to play as Kashmiris started crossing borders to get training in the 90s. The people I spoke to in the valley last year wanted them to come back. People there at this point are not in favor of a militant resistance.

Q: You mentioned the media and I am comparing to the media coverage of Palestine in Israel.
How is the Indian media coverage?

A: As I mentioned earlier, Kashmir is not covered well in the Indian media. Discussing aspirations of Kashmiris is taboo. For example, no one wanted to publish my article, Democracy Under the Barrel of a Gun in India. The media does write about the presence of army and that the Indian govt needs to deal with it but what they don’t cover is what the militarization has done to the society. Or the root causes such as the annexation, as Kashmiris say, The Brahminical rule of India’. Mass graves were found, many women have been raped. This is not covered very well not just by Indian media but also the international media. There isn’t a discussion on what and why Kashmiris want azadi and what it means.
Siddharth Varadhrajan wrote an article recently on the protests in Hindu. He mentioned the elections of 2008. What he didn’t mention is that Kashmiris participated in them more to vote for local governance issues and not anything to do with future of Kashmir or rule of Indian state. However, the media presented the 60% turnout as a vote of endorsement of the rule of Indian state and the Kashmiris felt betrayed. Partly why we see the kind of massive protests since 2008 is this.

Q: But what about the militant movement in Kashmir? If it got independent they would take
over.

A: The argument that Indian army shouldn’t leave or Kashmiris shouldn’t be independent because the militants will take over to me is similar to the argument that US shouldn’t leave Iraq or Afghanistan. Isn’t that what was said even during the Vietnam war?
At this point it is really a people’s movement – students, youth, women, ciivilans. The people saw what the militant movement did to them and how the Indian army dealt with it. Almost every family was impacted by it, killed, tortured or in custody. Also they see the power of the protests. I had asked the same when I went to the valley last year. What people said was the militant groups are not that prominent now and they don’t need a militant resistance anymore. I spoke a friend just two days ago to ask the same question since I knew someone would ask. He narrated an incidence. Two militants came to join a protest in a village but the people pushed them out!

Q: Why is the Indian govt’s attitude so belligerent? Is it because of the vote bank they may lose?

A: There are many reasons. Yes, the vote bank is certainly an important one. Kashmir is the only state with a majority Muslim population and they want freedom from India! So they want another partition?
Kashmir is considered ‘Bharat ka atoot ang’ and to discuss anything about autonomy or
independence leads to the question about further disintegration of India in the east for example or how it would impact other insurgencies such as in central tribal areas. Also the fact that it borders with Pakistan. The argument is ‘if we reduce troops Pakistan will invade’. But then have troops on the border. What is the justification for troops or police in a crowded city like Srinagar? If the argument is to protect pundits, most of them are no longer in the valley. So who is it protecting?
There isn’t a great willingness on either sides to deal with this issue even though it is the most important from a geo-political angle. Also, Kashmir is rich in natural resources, source of water and India wouldn’t want to give those up.

[ Someone from the audience expanded on the ‘only muslim majority state’ by giving the history of the Dogra rule and how Maharaja Hari Singh annexed Kashmir(and that it was conditional) without taking the opinion of the Muslim majority and how that was the opposite of what happened in other princely states like Junagarh or Hyderabad where the majority was Hindu and the ruler was Muslim and the vote went the will of the majority population.]

A stone in her hand

For all those who are following events in Kashmir, a comment written by me on a relatively new phenomenon:

But now an unfamiliar new photograph of the Kashmiri woman has begun to take its place on newspaper front pages. She’s dressed in ordinary salwar-kameez, pastel pink, baby blue, purple and yellow. Her head is casually covered with a dupatta and she seems unconcerned about being recognized. She is often middle aged, and could even be middle-class. And she is carrying a stone. A weapon directed at the security forces…

To read the full piece, do take a look at the Times of India of Aug 8, 2010


Jashn-e-Azadi is available through various online outlets like amazon

You can now buy a DVD of the film, or Download it and watch
More than two years in the making, Jashn-e-azadi [How We Celebrate Freedom], is a feature length documentary by film-maker Sanjay Kak which explores the implications of the struggle for Azadi, for freedom, in the Kashmir valley.

Click here to watch the Trailer

As India celebrates the 60th anniversary of it's Independence, this provocative and quietly disturbing new film raises questions about freedom in Kashmir, and about the degrees of freedom in India.

And here is a short Interview with the film-maker.

This Jashn-e-Azadi blog is an open forum for conversations about the film, about Kashmir, and about Azadi itself.

For more information about screenings, sales and broadcast write to
jashneazadifilmATgmail.com

links

For dispatches from the present

Voices of protest can be found here or call you from here

Stone in my hand

In the season of solutions, the late Eqbal Ahmad's wise words have to be remembered

Kashmir blog has the best one line blog take on Kashmir - they call it paradise, I call it home.

Zarafshan is a Kashmiri blogger whose blog (and blogrolls) are "just ways of dispersing news, views and feelings!"

For a considered discussion on the vexed issue of Pandits in Kashmir see Kasheer. And for more on this Ephemeral Existence

And a discovery called Paradise Lost

RSS Kashmir via Greater Kashmir

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previews

Festival screenings

Thiruvananthapuram
May 26, 2008 / International Video Festival of Kerala
Munich
Apr 28, 2008 / Dok.Fest
Amsterdam
Feb 10, 2008 / Himalaya Film Festival
Amsterdam
Nov 28, 2007 / International Documentary Festival
Kathmandu
Oct 12, 2007 / Film South Asia
Delhi
July 22, 2007 / Osian’s Cinefan film festival

Previous Previews

London
7 Dec 2007 / School of Oriental & African Studies & Sacred Media Cow
Leeds
6 Dec 2007 / Workshop Theatre, School of English, University of Leeds
Egham, Surrey
3 Dec 2007 / Royal Holloway, University of London
New Delhi
26 Nov 2007 / Russian Centre of Science & Culture & Magic Lantern Foundation

New Jersey
Oct 5, 2007 / College of New Jersey
New York City
Oct 4, 2007 / Columbia School of Journalism
Austin
Oct 2, 2007 / University of Texas
Philadelphia
Sep 28, 2007 / Temple University
Philadelphia
Sep 27, 2007 / University of Pennsylvania
New York State
Sep 26, 2007 / Vassar College
New York City
Sep 25, 2007 / New School for Social Research
Boston
Sep 23, 2007 @ MIT
Toronto
Sep 22, 2007 / SALDA
Toronto
Sep 21, 2007 / University of Toronto
New Haven
Sep 20, 2007 / Yale University
Minneapolis
Sep 18, 2007 / University of Minnesota

Hyderabad
Aug 10, 2007 / Pure Docs, Prasad Preview, Banjara Hills

interrupted previews!! [[ MUMBAI ...
July 27, 2007 (Fri)
Vikalp: Films for Freedom @ Bhupesh Gupta Bhawan, 85 Sayani Road, Prabhadevi
July 30, 2007 (Mon)
Vikalp: Films for Freedom @ Prithvi House, Juhu...]]

Bangalore
July 14, 2007 / Institute of Agrl. Technologies, Queens Road
Bangalore
July 13, 2007 / Centre for Film & Drama, Millers Road
Nashik
June 13, 2007, Pandit Vishnu Digambar Paluskar Hall
Pune
June 12, 2007, National Film Archive of India Auditorium
Guwahati
May 29, 2007, Blue Moon Hotel
Shillong
May 26, 2007, Assam Club, Laban
Patna
May 12, 2007, Hindi Bhavan Hall
Srinagar
March 31, 2007, Tagore Hall
New Delhi
March 23, 2007, Sarai-CSDS
New Delhi
March 13, 2007, India Habitat Center

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