Archive for the 'abuse' Category

[ blog flash 12&half-mumbai continued ]

pandit says ban

a nice blog entry on the episode. anyone who can produce the copy of the email complaint referred in the blog, gets a free poster from blogmistri

and a discussion at passionforcinema 

sarai reader list conversation (1 & 2) on the interruption

mumbai police 1

mumbai police’s crack critic team

mumbai police 2

mumbai police’s crack critic team 2

[blog flash 12 – mumbai interruption]

Yesterday evening, blogmistri had been lazily formulating a post about the great response Jashn-e-Azadi had in its first festival/public screening at Osian’s Cinefan Festival of Asian & Arab Cinema (New Delhi, July 22) – and waiting for the news of the first Mumbai preview from Sanjay. But around 8.30pm, he heard that the preview of the film organised by Vikalp, the film-makers group, at Bhupesh Gupta Bhawan had been interrupted and the screening DVD of the film seized by Mumbai Police.

We will keep you posted on this interruption in the life of the film, but till then you could check out this news report in Mumbai Mirror. There is a first person account on a blog called paddlesweep. And the films for freedom/vikalp site for an incisive remark by Ranjit Hoskote of The PEN All-India Centre. (And for a very different view see this first comment on our post!)

[ blog flash 4 – blogosphere ]

blog mistri <spliendsmediaATyahoo.co.in> writes

After being without a net connection for a few days–unseasonal rain and storm in Shillong–I am trawling the net, and encounter a curious controversy.

Mr. Inam Ul Rehman, who reviewed the film for Greater Kashmir, also posted the review on ‘Meri’ News, a news portal purportedly providing a platform for unfiltered citizen’s journalism. The censors at the portal managed to not only mangle the review but also preface it with an introduction which turned the meaning of Mr. Rehman’s review upside down! Mr. Rehman, one of ‘Meri’ News’s top Citizen Journalists of 2006, is naturally angry, but his anger remains unacknowledged by the portal and his review continues to be defaced.

So you would be comforted to know that our blog is not the only one attracting slanderous, threatening, $#%^* comments. It seems to me that anyone who tries to swim against the Indian nationalist consensus on Kashmir cannot escape $#%^*.

An instructive episode that allows us a peep into the Indian media’s Kashmir strategy:
compare the original review in Greater Kashmir below, with the Meri News version which follows. Especially instructive is the introduction which the site editors tagged to the review, and adjectives like “jehadis” which they interpolated into Inam ul Rehman’s writing.

Jashn-e-Azadi: We the slaves | Inam ul Rehman | Greater Kashmir | April 5, 2007

On 15th August Indian army unfurls the tricolour at historic Lal-chowk to celebrate their Independence Day and on this occasion only two things are visible on the streets of Srinagar: Indian army and stray dogs, this is the most telling scene of Jashne-e-Azadi directed by Sanjay Kak. Jashne-e-Azadi made by the son of the soil Sanjay Kak left me numb. Here is film which mocks at the India’s sham democracy in Kashmir without sermonise or patronising anyone. There is no linear narration. And he has defined Azadi not by himself but by the concerned people. It can range from metaphysical fight to revenge. He has brilliantly assembled collage of scenes and let people speak themselves. And in between-you blink and you miss the scene: has first time ever highlighted that the death toll of Kashmir Pandits killed is 200 only. Then, the symbolism, metaphors and similes used by the director are very telling. The documentary moves to and fro again and again. And in the prevailing confusion one thing that is unanimous throughout the film despite chaos and confusion people lounge for Azadi.

It may jar the pristine filmmakers but this is not made for them. One can find thousand faults with the film and it may be criticised for not ‘balancing’ but does TRUTH need to be balanced. Yes there is no mention of Kunanposh Pora gang-rapes by the army. Yes he is silent of Gawkadal and Bijbehra massacres and other such details. But let us give him a benefit of doubt. Because Sanjay talks of those actions where media (read Hindu media) was involved yet nothing came to limelight. He deserves more than bouquets and patting on the back.

He has also shown that intellectualism is not only about writing articles, delivering lectures, attending world conferences but visual intellectualism can be most telling—without sermonising, without boring and without catering to few intelligentsia classes; visual intellectualism is today the most potent weapon to defeat the forces of evil.

I am the one who is guilty of relishing Indian movies, enjoying songs, loving its actors when the same country has sent my one hundred thousand brethrens in graves. Jashne-e-Azadi reminds of Paul Valery who in ‘History and Politics’ writes: history is the most dangerous product evolved from the chemistry of the intellect. Its properties are well known. It causes dreams; it intoxicates whole people; gives false memories; quickens their reflexes; keeps their old wounds open; torments them in their repose; leads them into delusions, either of grandeur or persecution; and makes nations bitter, arrogant, insufferable and vain.

We have the knack of dismissing brilliant works; “we already know it”! There is nothing which we haven’t seen, nothing which we haven’t gone through, nothing which we haven’t experienced but there is everything which we have forgotten. It’s a film which must be watched by every Kashmiri. I cannot express the gratitude, but to say, I salute you Sanjay Kak for deifying odds. Your film reminded me slavery, the sacrifices, the sufferings of mothers and sisters! Prune it a little and sent it to every nook and corner of the Kashmir so that we can once again reinvigorate our sapping spirits. And yes it must be talked and circulated to other parts of India as well.

Placed below is its mangled version, with the interpolations marked in bold, as it appeared on ‘Meri’ News

Jashne-e-Azadi: The untold tragedy | Inam Ul Rehman | 07 April 2007, Saturday

Sanjay Kak’s Jashne-e-Azadi visually captures the fright and terror that reigns the bloodstained Valley. It’s a tragic collage that conveys how Azadi-driven jehadis have ruined the paradise.

ON MARCH 31, Sanjay Kak screened the much-awaited film, Jashne-e-Azadi, in Tagore Hall, Srinagar. The film, despite obvious flaws, is a treat in visual intellectualism and poignantly brings out the Kashmiri pain and pathos. It’s a film that will leave you numb. The deserted streets, dotted only by troops and stray dogs on the most revered national day, August 15, metaphorically drives home how much devastation has the Pak-imported concept of Azadi wreaked in the paradise. In Kak’s realism comes out the neighbour’s nefariousness and the title, Jashne-e-Azadi, acquires a different, ironical ring. It’s anything but jashne (celebration), anything but azadi (freedom) in defiled Kashmir.

The strong point of the movie is that it says it all without explicitly sermonizing or wailing over the wrongs in Kashmir. There is no linear narration. The film itself doesn’t attempt to give Azadi any sense but instead allows the grim situations to bring out the sham sense of Azadi among the Kashmiris.

The film’s raw energy flows the ground situations that range from metaphysical fight to venedetta to jehadi terror to revenge. He has brilliantly assembled collage of scenes that capture people’s torment. The director uses symbolism, metaphors and similes to elucidate the Kashmir tragedy.

The documentary moves to and fro in time again and again. But it keeps coming back from reels of chaos and confusion to the central theme or the fountainhead of the people problems — Azadi. It may jar the pristine filmmakers, but this is not made for them. One can find a thousand faults with the film and it may be criticized for not balancing the theme, but does reality need to be balanced. It only depicts reality. The interpretation is left to the audience.

Kak has also shown that intellectualism is not only about writing articles, delivering lectures or attending world conferences. Visual intellectualism can be most telling — without sermonizing, without boring and without catering to few intelligentsia classes. How potent can visual intellectualism be this film stands out as an example.

Jashne-e-Azadi reminds me of Paul Valery who in History and Politics writes: “History is the most dangerous product evolved from the chemistry of the intellect. Its properties are well known. It causes dreams; it intoxicates whole people; gives false memories; quickens their reflexes; keeps their old wounds open; torments them in their repose; leads them into delusions, either of grandeur or persecution; and makes nations bitter, arrogant, insufferable and vain.”

[ blog flash 2 ]

We had hoped our blog would attract some serious reactions to the film, but unfortunately *** vitriol seems to have taken the place of real criticism. So it was not surprising that our blog got scooped out by the good old print media.
The first serious review appears today by Mukul Kesavan, The Telegraph, Calcutta (15 March 2007).

And google yielded this short review carried by IANS.

And Mohamad Junaid’s review

[ blog life 4 ]

There has been nothing from us at the Jashn-e-Azadi blog for a while…
One reason is that we have been working to finish the film for the first preview on March 13th. And it seemed appropriate to observe a discreet silence before the film first appeared before its audience. But the more serious reason is that we have been waiting and watching, reading and soaking in, wondering what direction this blog would take. There have admittedly been moments of quiet despair when it seemed to have disintegrated into an ugly, abusive, damaging brawl. At other times there were moments of lucidity that held out the kind of promise that the blog set out in search of –

>>Manash Bhattacharjee
Mar 9th, 2007 at 9:28 pm

Some Kashmiri Pandits are showcasing their intolerance. They would like a Kashmir without Kashmiri Muslims. There would be Kashmiri Muslims who would also like the opposite to be true. Either we ask for permission for both communities to wage a war to decide the issue, or we also listen to those who might like to take a different route to freedom. If every Kashmiri Pandit and Muslim is “equally” entitled to speak on behalf of themselves both individually as well as in their idea of the collective, we should have the civilized sense to hear them before we decide to throw stones at them. I am amazed at the brutality of people’s opinions which seek to divide between those voices which have suffered but still manage to be critical and those voices which have suffered and ended with hatred. If suffering isn’t as banal as vegetables weighed on a scale to find out who suffered more, then every human being has to be granted his and her own view of suffering. No civilized community or individual can create a gulag to exterminate the critical voices of human suffering. Though we all would regretfully bow down our heads before those who suffered, we also cannot fail to point out that suffering alone, alas, cannot become a justified condition for war and hatred. Both Kashmiri Pandits and Muslims have suffered, and it is about time they respected each other’s suffering. But respect for suffering doesn’t mean that one has to behave like a butcher and the other has to behave like a lamb. The list of mutual grievances would surely be long and a contested one. But war and hatred will not allow the grievances to be put on the table. We are no longer in the Medieval Era where we would expect our local warlords and chieftains to fight battles and our respective Kings to win the wars for us. If we respect ourselves as thinking, democratic citizens we have to show it when it is most easy to succumb to medieval mindsets. We have to resist this barbarism of abusing those who would like to add their own story to this larger story of suffering Kashmiris. Your history comes in the way of Sanjay Kak’s memory; Kak’s memory comes in the way of your history – don’t brutalize this Aga Shahid-ian entanglement with vulgar retorts. You can elivate your own sense of suffering only by respecting his story. Or else, we have known suffering to be not always successful in humanizing people. Or else the Jews should have treated the Palestinians the way they would have liked the Germans to treat them. I remember an RSS rumour-story from my father where Gandhi was painted during partition as a Muslim in disguise. The same mentality seems to be working against Kak’s credentials. Kak’s film on Kashmir cannot get a verdict before it has been shown. You cannot turn so restless and timid about someone’s imagination. All those who are calling Kak names are Hindu Ayatollah’s. People are ready to turn sick for the sake of a diesase they love. The name of that disease is hatred. Those who are mediocre become the bussinessmen of hatred in any society. I have mixed pleas with harshness because I don’t think people are going to change overnight. So I thought I should better take them on from all fronts. I am not very sure whether this blog on the film should have been started before the film was screened once, but it has all the legitimacy in the world to promote and gather a wave of interest and opinions. I hope the film gets a civilized response from the people of this country. I hope Indian civilians do not behave like the Indian army.

[ blog life 3 ]

Sanjay Kak writes in to say:

The purpose of this blog–and that of the film Jashn-e-Azadi–is to begin a real, considered and thoughtful conversation about all that makes up contemporary Kashmir (our LINKS and KEYWORDS are a testimony to that). But the nature of the abuse, invective and threat that this blog seems to be receiving recently is obviously “flaming”, intended to derail and gag this conversation. My suggestion to people who are really interested in discussing substantive issues is that we ignore the noise.
And for a start, perhaps we can turn to the poet Piarey ‘Hatash’ who says…
Kas kharav taem gatkaruk rah
Dum phut gae, vaeh, bahanae rov
Tsengis gath dith zajaov paan
Patay gatt zool gav, parvanaye rov

Who for that darkness do we blame?
Stifled, alas, that reason is lost
Fluttering around the lamp, burnt ourselves
Darkness fell, the moth is lost


Jashn-e-Azadi is available through various online outlets like amazon

You can now buy a DVD of the film, or Download it and watch
More than two years in the making, Jashn-e-azadi [How We Celebrate Freedom], is a feature length documentary by film-maker Sanjay Kak which explores the implications of the struggle for Azadi, for freedom, in the Kashmir valley.

Click here to watch the Trailer

As India celebrates the 60th anniversary of it's Independence, this provocative and quietly disturbing new film raises questions about freedom in Kashmir, and about the degrees of freedom in India.

And here is a short Interview with the film-maker.

This Jashn-e-Azadi blog is an open forum for conversations about the film, about Kashmir, and about Azadi itself.

For more information about screenings, sales and broadcast write to
jashneazadifilmATgmail.com

links

For dispatches from the present

Voices of protest can be found here or call you from here

Stone in my hand

In the season of solutions, the late Eqbal Ahmad's wise words have to be remembered

Kashmir blog has the best one line blog take on Kashmir - they call it paradise, I call it home.

Zarafshan is a Kashmiri blogger whose blog (and blogrolls) are "just ways of dispersing news, views and feelings!"

For a considered discussion on the vexed issue of Pandits in Kashmir see Kasheer. And for more on this Ephemeral Existence

And a discovery called Paradise Lost

RSS Kashmir via Greater Kashmir

  • An error has occurred; the feed is probably down. Try again later.

previews

Festival screenings

Thiruvananthapuram
May 26, 2008 / International Video Festival of Kerala
Munich
Apr 28, 2008 / Dok.Fest
Amsterdam
Feb 10, 2008 / Himalaya Film Festival
Amsterdam
Nov 28, 2007 / International Documentary Festival
Kathmandu
Oct 12, 2007 / Film South Asia
Delhi
July 22, 2007 / Osian’s Cinefan film festival

Previous Previews

London
7 Dec 2007 / School of Oriental & African Studies & Sacred Media Cow
Leeds
6 Dec 2007 / Workshop Theatre, School of English, University of Leeds
Egham, Surrey
3 Dec 2007 / Royal Holloway, University of London
New Delhi
26 Nov 2007 / Russian Centre of Science & Culture & Magic Lantern Foundation

New Jersey
Oct 5, 2007 / College of New Jersey
New York City
Oct 4, 2007 / Columbia School of Journalism
Austin
Oct 2, 2007 / University of Texas
Philadelphia
Sep 28, 2007 / Temple University
Philadelphia
Sep 27, 2007 / University of Pennsylvania
New York State
Sep 26, 2007 / Vassar College
New York City
Sep 25, 2007 / New School for Social Research
Boston
Sep 23, 2007 @ MIT
Toronto
Sep 22, 2007 / SALDA
Toronto
Sep 21, 2007 / University of Toronto
New Haven
Sep 20, 2007 / Yale University
Minneapolis
Sep 18, 2007 / University of Minnesota

Hyderabad
Aug 10, 2007 / Pure Docs, Prasad Preview, Banjara Hills

interrupted previews!! [[ MUMBAI ...
July 27, 2007 (Fri)
Vikalp: Films for Freedom @ Bhupesh Gupta Bhawan, 85 Sayani Road, Prabhadevi
July 30, 2007 (Mon)
Vikalp: Films for Freedom @ Prithvi House, Juhu...]]

Bangalore
July 14, 2007 / Institute of Agrl. Technologies, Queens Road
Bangalore
July 13, 2007 / Centre for Film & Drama, Millers Road
Nashik
June 13, 2007, Pandit Vishnu Digambar Paluskar Hall
Pune
June 12, 2007, National Film Archive of India Auditorium
Guwahati
May 29, 2007, Blue Moon Hotel
Shillong
May 26, 2007, Assam Club, Laban
Patna
May 12, 2007, Hindi Bhavan Hall
Srinagar
March 31, 2007, Tagore Hall
New Delhi
March 23, 2007, Sarai-CSDS
New Delhi
March 13, 2007, India Habitat Center

a

stats

  • 133,463 visitors

%d bloggers like this: